Category: Film & TV

How To Enhance Your Directing Process

 

Every film director is different. Especially when it concerns style, experience, execution, preferences and so on. After directing my own short film, these are a few things that helped my process.

1 Block your scenes through the viewfinder

The simple way to define blocking is, the movements of characters in relation to the movement of the camera (the audience’s point of view).  Of course, there are more than a few ways to block a scene. Depending on the director, a few lines of action and dialogue in a script could translate on screen as a comedy, drama, romantic comedy or a suspense scene. By this fact, blocking also involves the performance and not just the movement. Now for the tip: always block your scenes through the viewfinder when possible. (Obviously if you’re shooting on a DSLR you’d have to turn the camera off to view your shot through the viewfinder). Doing this forces you to think more consciously about the 3 dimensional space you’re dealing with as well as gauging the distance between the camera and the performer. Whereas blocking using the flat, two dimensional monitor doesn’t give you an accurate idea of spacing.

 

2 Use prime lenses

Why? For starters they’re sharper, more affordable, more portable (all relative by the way). But using lenses with a fixed focal length allows you to think more actively about how you shoot a scene. Because there’s no quick and easy way to get a closeup on an actor or to fit more in the frame, you’re forced to physically move the camera, which in turn affects the process of the actor, for better or worse. But overall it does let you think more creatively about getting a shot as opposed to just zooming in or out.

 

3 Know every process

Terry Gilliam once told Quentin Tarantino that <paraphrased; as a director, it’s not your job to know how to operate a camera, or move lights around to get a certain effect, or how to record sound or any of that. As a director,  your job is to have a vision. And then it’s your job to be able to articulate that vision to the talented people around you who can use their skill to help you achieve that vision.” For me, this is a more than perfect description of what a film director is. BUT, put plainly, you do give yourself a huge advantage when you have a working -not perfect- knowledge of what each process in filmmaking entails. You don’t need to be a DP for 3 years to know what a DP does but it’s good to be an instant expert on all processes so that 1) you know when your crew is lying to you that something can’t be done (lol) and 2) in the case of many independent filmmakers getting started, you’ll need to teach your crew how to do their jobs effectively, so the more you know the better.

 

4 Get to know who you’re working with

This could easily be overlooked but I think it’s highly important that you actually take time to find out what kind of personality types you’ll be spending your time with on a particular project. If they’re unlikeable, or worse yet, not knowledgeable enough then what could be a simple, fun project could end up dragging on and becoming a gloom. On the other hand, persons who are just as passionate and on a similar wavelength can be more fun and make you a better filmmaker overall.

 

— END

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Interview w/ Caribbean Filmmaker Pierre Chester

Millennials – Technology – Creativity. Is it me or do these three go hand in hand now?

This is certainly the era of the Iphone, the Android.. of Instagram, YouTube and the like. Consider it .. how many photographers and videographers do you know? It’s cool though, who doesn’t like a fancy photo, or some quick burst of ethereal scenery in motion? How many of us spend an embarrassing number of hours skimming through the portfolios of creative lens maestros? Not to mention we especially love the work of our counterparts who think outside the box and use their gifts to tell unique stories. Pierre Chester is a storyteller/ filmmaker from Saint Lucia.

To read about Pierre’s journey and perspective on Film in the Caribbean, click here.

“Being on set is a great feeling, with everybody coming together and making a script come to life, it’s a rush.” – Pierre Chester

 

5 Caribbean Art Festivals To Look Out For

For years Caribbean Artists have ploughed the fields of creativity in order to bear works that adequately reflect the region’s unique stories and perspectives. Interestingly, with each passing year, the margins of artistic platforms widen (a feat perhaps of the rapid technological advancement characterizing this age), allowing for increased opportunity and audience interaction; more places and spaces where artists can share their work. Yet, many still express that there is a lack of respect shown towards their craft. Nonetheless, several Caribbean Artists refuse to be pushed beyond despair into a place where they are made to abandon their beliefs in their work and their purpose.

In the hopes of one day having a more than thriving Art culture here in the Caribbean, I went searching for consistently held regional Art Festivals, ones which serve as platforms for both new and seasoned, regional writing, filmmaking and performance talent. Below are five that everyone should look out for.

 

1) The Trinidad & Tobago Film Festival

In 2016, some 26 films were featured at the Trinidad & Tobago Film Festival; an annual event held in Port of Spain to showcase the work of Trinidadian, Caribbean and international filmmakers, and to highlight projects that appeal to the Caribbean Diaspora. Among selected and screened projects are feature length films and documentaries, as well as short and experimental films.
Actual screenings are put on for about two weeks in September, however entries are accepted as early as February of the same year.
The committee behind the Trinidad & Tobago Film Festival encourages Caribbean Filmmakers to submit their work for free via their website http://ttfilmfestival.com/ where more information regarding the festivals history as well as submission regulations can also be found.

 

2) Calabash International Literary Festival

One of the longest running Art Festivals in the Caribbean, the Calabash International Literary Festival was founded in the year 2000. Held in Treasure Beach, Jamaica the event is hosted on a benial basis, on even years.
This event attracts book lovers, authors and anyone willing to bask in a downpour of reggae, relaxation and literary prowess, in a quaint South coastal Jamaican village. The Calabash International Literary Festival Trust which operates the event also provides publishing seminars and writing workshops throughout the duration of the festival.

For more information visit: http://www.calabashfestival.org/.

 

3) Carifesta – The Caribbean Festival of the Arts

‘Carifesta xiii’ is slated to be held in Barbados with the theme “Asserting Our Culture, Celebrating Ourselves” from August 17th to August 27th of this year.
With a name most Caribbean nationals are already familiar with, this event stages a number of creative Caribbean “music, dance, drama, painting, sculpture, folk art, photography and literature” talents.
The festival which comes around every few years, aims to highlight the kaleidoscopic vibrancy and diversity of Caribbean and South American cultures and artistry.

For more information visit www.carifesta.net.

 

4) GIMISTORY; The Cayman Islands International Storytelling Festival

Storytelling is rooted in tradition and is one of the world’s oldest art-forms.
From November 25th to December 3rd story tellers from all over the world travel to each district of the Cayman Islands as well Cayman Brac and Little Cayman, to perform stories some of which meant to reveal details of ancient “myths and legends”, as well as to evoke “laughter, drama and wonderment”.

The event, which began in 1997 and is held annually, serves as a canvas for the imaginations of audience dwellers. With its storytellers as the brushes, each word strokes the assorted colours and layers of the world’s heritages.
Through an application process the festival’s founders and operators welcome anyone to its stages.

For more information visit http://www.artscayman.org/gimistory.

5) Caribbean Youth Film Festival

A fairly new festival aimed at creating opportunity and a platform for precisely younger filmmakers, The Caribbean Youth Film Festival is a four day event held in Saint Lucia. This year the festival, which is held annually, will run from August 7th to August 17th making it five years now since its inception.

The Caribbean Youth Film Festival committee invites anyone ’35 and under’ to submit his/ her work (short films only) which will be screened to local and international audience members.
In the spirit of cultivating the Caribbean’s film landscape, the committee adds to its roster workshops and seminars held around the time of the festival as well as throughout the year, for persons of all ages and backgrounds, whether new to the art of filmmaking or seasoned.

For more information visit facebook.com/CYFFestival.

Some say, ultimately, it really depends on a person’s will and dedication to his/her craft to determine whether they can build themselves up and together as an Artist. Knowing that there is an audience ready and willing to bare witness to ones work however, can serve as motivation, especially in a culture where emerging Artists may feel invisible.

Loving Chiron

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Moonlight. I can't think of another instance where the complexities of manhood, particularly of the black – queer male, entranced me entirely for a full hour and 51 minutes.

Eversince its release, endless webs of discussion have been spun on the themes explored in this film. I remember the first time I saw the triad of main actors, their faces, filtered in blue, purple and pink hues, sailed up my Facebook timeline, an image peered with the Afropunk article “WHAT IT WAS LIKE WATCHING 'MOONLIGHT' AS A QUEER BLACK MAN (FILM REVIEW)”. My interest peaked, not because I am a queer black man (I am not), but because I knew this would be like nothing else I had seen before. However, I allowed my curiosity to stop then and there. I lived in south-east Asia at the time and knew good and well that this would come nowhere near Taiwan's Cinemas.

Months later, after the wave washed over the film world solidifying Moonlight as an Avant- Garde masterpiece and Barry Jenkins as a bonafide director/ screenwriter virtuoso, catching the ripples I was able to get my fix and fall in love.

Technicalities (which as a self proclaimed filmmaker made up a large part of the reason this film impacted me the way it did) aside, part two, I.e 'ii. Chiron' of this movie left me undone and I won't miss this chance to hail Ashton Sanders for his flawless performance. Sanders' character, a young, black, teen male, meekly moving through his life, physically hunched forward from the figurative bricks on his shoulders, eyes glistening with loneliness; a picture of a child performing a grim juggling act with individuality, sexuality, exclusion and parental neglect, stuck out most for me.

While I was devouring the film scene by scene, Sanders' performance forced me to question myself; What pre-conceived ideas did I have when it came to the images of black men? What expectations did I hold on how these men were supposed to move through the world? Was I culprit to drawing the rigid lines that box black men in and perpetuates ideas that there can be no gray area, even for self-exploration and discovery. I thought of a friend I had in my teens who coincidentally shared Chiron's skin-tone, stature and mannerisms. Although we never directly spoke about his sexuality and having witnessed nothing to attribute to, I remembered how my mind was wrongly made up, 'he is gay'. That was not my place. That was insensitive and dismissive of a person's own past and experiences as well as of his freedom to claim it and declare it for and by himself.

It has now been several weeks since I've seen the film yet scenes from the movie appear behind my eyes as vivid as they did on screen; Chiron engulfed in a sea of bodies, dissolving into the school corridor wallpaper, a wide shot of Chiron walking on the street alone, his adversaries slithering into frame, their altercation, proceeded by Chiron's repressed anger. All these against a vibrant, colorful Miami street backdrop adding to the mastery that is Moonlight.

I am not an African-American male growing up in the hood with a mother addicted to crack, struggling with and suppressing my sexuality and identity but I could feel the movie's importance. I could also feel my teen self looking at ii.Chiron, feeling his exclusion, loneliness, repressed self-expression, necessary self-reliance, and finding a point of understanding. I think if most people allowed themselves they would see themselves or someone they knew/know in Chiron.